107 Royalty-Free Audio Tracks for "Big Hit"

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I made this bass drum using one of the glass hit samples i found on this website. Sounds nice on big sound systems, may destroy smaller ones.
Author: Jaymz Mot
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I'm a student studying sound and i and recording sounds this is one of the recordings. This sound is done by hitting a big pillow by hand.
Author: Warrick Lendon
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Felt a big cough coming so hit record on my zoom h5 handy recorder! sure sounds like a cough to me.
Author: Jmbland
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Reverb heavy body blows and falls. I was sick of finding only small-sounding hits so i made these. They were made by combining and compressing / eqing other creative commons 0 freesound files, but i'm too dumb and lazy to credit them specifically. Thanks, y'all.
Author: Cryanrautha
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Dropping a big bag on wooden floor. The bag is made of a 'crunchy' material and is filled with clothes. Recorded in xy stereo (mono compatible).
Author: Jakobhandersen
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Sounds recorded on zoom h2n, edited in audacity. Used in the sci-fi audio drama 'tartarus': https://pod. Link/1571079687.
Author: Vestibule Door
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Sound of a metal utensil being quickly drawn across a hard surface and allowed to ring. Could be used as a sword glint kind of sound.
Author: Whitefire
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Sound of a metal utensil being quickly drawn across a hard surface and allowed to ring. Could be used as a sword glint kind of sound.
Author: Whitefire
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Metal coated tree with mallet and stick samples, recorded from physical portable recorderthe meadow, san francisco 2020. Metal metallic resonant percussive hit percussion drum tree field-recording industrial impact high-quality city. Metallic tree roots.
Author: Dylansmithsound
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The impact of a metal hammer against a glass pane on a brick wall, not smashing the glass.
Author: Samueljustice
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I was doing some field recording and it so happen that when i was out and about we had hail storm so i recorded from the start to finish. Whew! almost got hit by a hail stone as big as a pingpong ball. Yes, it was that big my car has dent all over, not good aye!.
Author: Kreationz
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Recorded stereo xy mic configuration with two akg ck93 capsule mic with zoom h6.
Author: Gokalp Gonen
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Recorded stereo xy mic configuration with two akg ck93 capsule mic with zoom h6.
Author: Gokalp Gonen
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Recorded stereo xy mic configuration with two akg ck93 capsule mic with zoom h6.
Author: Gokalp Gonen
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Sound of something big moving or hitting the ground. Could be used in a video, e. G. When some monster is moving in the distance. Created using audacity.
Author: Raclure
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130cm wide 600l metal bassin hit by a small wooden log. Hit from multiple angles and mic placed in front on the open hollow end. Recorded on a zoom h5 stock mic capsule. Hope you enjoy :)ps: id love to hear how you use this sound, feel free to link your creations :.
Author: Sadiquecat
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A big spooky tubular bell hit. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).
Author: Nomiqbomi
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Played around with audacity with this sound: http://freesound. Org/people/lordboner101/sounds/366886/. Accidentally made it way bigger. Decided to share. Enjoy.
Author: Coolernow
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My cat, maya, was sitting in my lap, so i brought my microphone down and hit record. She was curious about the big thing in her face and sniffed at it, resulting in this sound file.
Author: Skijaramaz
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Recorded stereo xy mic configuration with two akg ck93 capsule mic with zoom h6.
Author: Gokalp Gonen
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Recorded stereo xy mic configuration with two akg ck93 capsule mic with zoom h6.
Author: Gokalp Gonen
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Cute weird monster hit, hurt or idle sound. Think of a big, wiggly cartoonish bug. Made with the goal to replace hurt2. Wav in freedink. Remix of cc0 sound https://freesound. Org/people/bymax/sounds/327991/.
Author: Qubodup
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Sounds like a laser going off, then a big rumbling explosion. Created in adobe audition using the generate tones to create a saw wave sweeping from 22khz to 20 hz, then reverbed and eq'd.
Author: Ecodtr
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06. 22. 16: a punch created from the sound of a leather glove being whipped, processed alongside a thickly-layered kick drum.
Author: Newagesoup
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06. 22. 16: a punch created from the sound of a leather glove being whipped, processed alongside a thickly-layered kick drum.
Author: Newagesoup
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06. 22. 16: a punch created from the sound of a leather glove being whipped, processed alongside a thickly-layered kick drum.
Author: Newagesoup
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More cinematic sounds? :. Https://audiojungle. Net/item/trailer-sound-pack/21887479?s_rank=11. Https://www. Pond5. Com/es/sound-effects/item/89443042-cinematic-fast-metal-slam. Social media:. Https://www. Instagram. Com/wakerone_/. Https://www. Youtube. Com/channel/ucsdy6ii7hcl8yczdhvvz34q. Contact: wakeronesfx@gmail. Com.
Author: Wakerone
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Hitting an old, empty oil drum lost in some old woods in various ways (on my palm, knuckle, with a stick, etc) to make different deep bass noises. Natural reverb since it was in a large open space.
Author: F R A G I L E
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Four quiet clangs, recording in a brick stairwell. I hit the metal railing of the staircase and let the sound ring. Sounds kind of eerie and distant, like something you'd hear in a factory or maybe on a big iron ship or submarine. Recorded with a zoom h4n.
Author: Danjocross
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Four quiet clangs, recording in a brick stairwell. I hit the metal railing of the staircase and let the sound ring. Sounds kind of eerie and distant, like something you'd hear in a factory or maybe on a big iron ship or submarine. Recorded with a zoom h4n.
Author: Danjocross
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Recording of a heavy book being drop over a wooden box damped with a cloth. We also added thin paper as a high end layer. Created by the students of the sound design workshop from the national school of arts of uruguay, at playa hermosa. Gear:zoom f8nsennheiser mk50.
Author: Ienba
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I recorded these samples after recording a loop of the famous think beat. I used mapex big rock kick and toms and a mapex daisycutter snare along with zultan 15" raw hihat and a zultan 20" dark matter crash.
Author: Lennartgreen
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In the shade of the palm from Leslie Stuart and Owen Hall's Florodora. Sung by Frank C. Stanley in 1902. This is Edison Gold Moulded Record #8066. Other titles for this song include: In the shade of the sheltering palm Shade of palms There is a garden fair Florodora was the first big hit musical of the 20th century. "Tell me pretty maiden" was the runaway hit, with "In the shade of the sheltering palm" also quite popular.
Author: Owen Hall (real name, James Davis, 1853-1907) and Leslie Stuart (1863–1928)
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My drum loops created in pro tools from the winston's "amen brother" break. These are just tests, although they do loop quite nice if you line them up right. . . . . Respect to those who want to resurrect old school jungle, hit me up if you wanna collab!big-up to thej_unglistsa_gainstp_erpetratorm_ovement.
Author: Torn.Rugged.Audio
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The Gladiator March (1886), John Philip Sousa's first big hit, performed by the U.S. Air Force Band in 1998 for their album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
Author: John Philip Sousa (Composer, 1854–1932) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807.
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Rode nt4 -> maudio delta1010lt, capturing a lightning strike that made the walls of my house shake, and forced me to turn off my computer. The lightning occured ~167 meters away from the microphone, calculated from the time lapse between the initial dc spike and the start of audible strike. Clipped quite a bit, had the input slightly too high, but did not expect one to hit so close. A picture hanging on my wall shook violently when this one hit. This was captured at the end of session on 5_28_2006, same night as http://freesound. Iua. Upf. Edu/samplesviewsingle. Php?id=19283.
Author: Ionizing
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Piano lid gently taps as it is opened and rests against the upper front board. Organic reverberations can also faintly be heard from the detuned strings. Possibly could be used for something interesting, it has a wooden bass drum sound. 100+ year old upright piano, microphone placed directly inside. (sample 1 of 4).
Author: Werra
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The stock sounds i used to create my catalog have been shared via freesound by creators with skills that make my sounds possible. My goal with learning sound is creating immersive soundscapes and imaginative moments. I want to create fantastic art, and i can’t reach the peak of my imagination without help. Big thanks to this community!. If you feel like showing some support, go check out my channel and show it some love! also, go check out the profiles of the creators who made and recorded the elements of this sound:. Audiopapkin__riser-hit-sfx-026. Wav. Audiopapkin__impact-sfx-011. Wav. Coolernow123__lordboner101-s-reverse-door-slam-but-thicc. Wav. Ezwider__impact3. Wav. Eminyildirim__volcano-lava-steam-burst. Wav. Sukritsen__steam. Wav. Inspectorj__abstract-spaceship-a01-descending. Wav.
Author: J.R
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Http://www. Myspace. Com/capashen2note : please show me your composition when you used this sample, i would to listen it !:d. Very usefull sample for transition within two parts. To bring the chorus for example. Made with : white noise filtered, drum layering, big plate reverb. . . I use it all the time hehe. Tip : it was not very processed in order to make your own process like sidechain on reverb tail, envelope. . . . Etc.
Author: Capashen
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Big storm hit my house, and i recorded it from just behind a window. Recorded in stereo at 24 bit with a sony pcm m-10 with furry windshield. All my sounds are dedicated to the public domain, and are free to use, no restrictions. Although i really appreciate a message or comment if you use my sound for something interesting. Always fun to hear where my recordings end up :).
Author: Augustsandberg
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Kitten on the Keys (1921), written and performed by Zez Confrey, for whom it was his first big hit. This recording is Edison Diamond Disc 50898-L. Restoration notes: Noise removal, blending original with noise removed version, manual click removal. Українська: «Кошеня на ключах», написане Зеpом Конфрі в 1921 році і виконане ним у 1922 році.
Author: Zez Confrey (1895-1971); file restored by Adam Cuerden
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This is the sound of a snare drum after i added reverb to it and slowed it down about -81 percent. By the way, this morning, i purchased a very interesting book entitled "harmonograph: a visual guide to the mathematics of music" by anthony ashton. I haven't read much of it yet, but it is explaining how eye-pleasing shapes can be created by utilizing vibrations and a harmonograph. I think you should check this book out. Made with audacity.
Author: Ecfike
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This is a series of sounds created for spitfire audio's make music day 2020 #spitfiremmd2020 it is a plastic drum, a springy pot rack and a big metal chip bin. There are both harmonic and enharmonic sounds here. The bin as a wonderful resonance and a lot of low end. This is a mono recording through a sennheiser 416 and an rme pre-amp. Enjoy!.
Author: Timothydy
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A was busy doing some big muff basedenvelope follower, envelope filteredcomposition, when it hit me, a small portioncould be used for the max. 12 second loopof a loop exercice we're doing in the class. Here, i manipulate the envelope filter twice. First, a recorded loop, of my vintage teisco60's 70's don't remember anymore, doesn't matterguitar, i found for 90 euro at an online rommelmarktlet's say. . . I put the envelope filter so that it 'just' triggerson the peaks of my audio file. . . Oww yeah !!!. The second time i trigger the envelope filter, is wheni play live on top of the recorded loop, i'm playing on purposepercussive, a coup of my hand with an immediate attack, toeven further more let the filter open & because of the amazinggrainy low-frequency based russian sovtek big muff the filtergrowls even more. . . On top of the just percussive behavior, i playof course an harmonic, content related sequence, feeling that the loopwhile being in an odd measure, already is repeating itself , the liveplaying, contrastwise, makes variation in texture & harmonic/melodice content. . . This is only a small portion of the biggercomposition, that's comin'curious ? head to. Https://jozefaleksanderpedro. Bandcamp. Com/. For support : paypal/jozefaleksanderpedro. Peace !04012021.
Author: Antwerpsounddesign
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My mother in the kitchen just around the corner from my closed bedroom door getting some ice from a square ice bucket in the freezer which is right at the entrance to the kitchen. You can hear them drop into her big glass and pop when they hit the water. I was recording out the window at the time. You can hear an american robin, red cardenal and mourning dove as well.
Author: Kbclx
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Hitting a metal hammer on a metal big nail thing, i fail to figure out the correct word for the tool being hit here. Extracted from a video (http://img. Youtube. Com/vi/ibovrwev2q0/2. Jpg) by a us government agency, thus public domain. Find many more military sounds in my military sounds pack, also located on freesound. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.
Author: Qubodup
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Http://www. Myspace. Com/capashen2 note : please show me your composition when you used this sample, i would to listen it !:d. Very usefull sample for transition within two parts. To bring the chorus for example. It sounds a bit electric with an sound effect made with synth. I use it all the time hehe. Made with : white noise filtered, drum layering, big plate reverb. . . Tip : it was not very processed in order to make your own process like sidechain on reverb tail, envelope. . . . Etc.
Author: Capashen
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Stomping on a big cement ground as hard a possible with a contact mic attached to the ground. The contact mic provides lots of bass so you can use this for punches, kicks, impacts, anything that can use a sweeter for impacts. I handmade my contact mic and recorded that into a h5. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.
Author: Oscaraudiogeek
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Tell me pretty maiden from Leslie Stuart and Owen Hall's Florodora (1899 in London; 1900 on Broadway). Sung by the "Edison Sextette" (Ada Jones, George S. Lenox, Corinne Morgan, Grace Nelson, Bob Roberts and Frank C. Stanley) for Edison Records. It Edison Gold Moulded Record #8260. Florodora was the first big hit musical of the 20th century. "Tell me pretty maiden" was the runaway hit. "Tell me pretty maiden" is a double sextet, sung by six girls, matched in looks, all 5'4" inches tall and 130lbs, and their six suitors. This recording cuts their number in half, since, although it is difficult to get six people in front of a recording horn, it is even more difficult to get twelve.[1] This recording consists of only the first verse. A vocal score is available at The International Music Score Library Project.
Author: Owen Hall (real name, James Davis, 1853-1907) and Leslie Stuart (1863–1928)
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Made in ableton live. A slow firing heavy weapon. 19 layers were used to create this one. Eq was used to select different frequencies from various weapon samples and compressed together for the inital transient or pop. Time based fade in/out layering was used for the sustain and reverb tails so they fit nicely together. The single shot that was layered together was then printed as a new audio sample. I created a loop and pitched every shot by a few cents or 1 semitone to add variation. Each sample was then manually shifted on the timeline forward or backward by milliseconds to give a more realistic feel in timing rather than sound robotic. Each shot was sidechained to duck down in volume when a new shot triggers for more clarity. Mechanical trigger and bolt movement samples were add in before/after the initial transient of the shot. Shell hit floor samples were used for added detail. I felt the shots lacked a good sub bass so an eq was used to filter out the sub and replaced with a rapidly decaying 808 kick drums sub. Once the loop was formed, all shots were then grouped together and processed with a transient designer into a clipper, a compressor, a maximizer, ott multiband, gluing reverb, stereo spread and then into a final limiter. Enjoy.
Author: Superphat
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